* What we want is the best .* NOTE FOR THE DRUM
Uniformly by adjusting the voltage you will eventually find the note or tone, which is convenient for you. Personally, I usually find that it is a little less than half of medium voltage, which is closer to my ear. I also think that this is also very effective in the studio.
If you are looking for "known" for himself and the research that has suggested the pitch then I suggest you go listen to the best in the studioPlayer again.
Take a break and listen .. This is important, and you do not want to skip this ...
Let me hear some fine selection here. Listen to Steve Gadd, Paul Leim, Jeff Porcaro, JR Robinson, Bernard Purdie and Vinnie Coliauta to begin with. Study of all the monstrous legends. Try to find the original recordings, not the Youtube performance. This will give you a better perspective.
Here you will find a remarkable similarity of tone.
* BACK TO DRUMTUNING .*
At this point, I once found that repeated stress, I head to the bottom of the drum and the process. With the tip at a lower tension similar and only slightly higher, the best known from the drum with regard to my ears and my taste. It takes a few minutes optimizations, but then the drum is approaching and then "sing".
Make sure when you check the vote to keep the drum by hand to the edge or nose, as if suspendedhardware. Hitting the drum and then very small corrections to the vote. If you check the tuning of the physical environment, as well as the drum can to create new life.
Snares
The same process applies for the snare as well. Start with a great tool, good head selection and application development and you're correct. One note, if you play to be careful to watch your heels on the equilibrium position with plenty of lip on the snare.From this they tend to melt quickly.
Here's an argument that is often overlooked. The rings themselves are very sensitive. Be sure to maintain not only the health of your batter bottom of the trap, but especially the snare. Check every time your snare stand! You are responsible for creating a very important part of your sound!
I always wear a set of wire cutters with me in my toolbox in case I break a wire snare. If I had a break I am very carefulcut back as far as I can and the balance of the loop that checks to make sure no obstacles and vibration.
Show in terms of development and different snare usually up to a meeting with 4 loops. The producer chooses a series of rings depending on the material. Ludwig Black Beauty Snare wearing a brass, a Taye maple snare drum, a snare Pearl Piccolo Maple Soprano and DW brass snare. All drums have the same seeded previously assumed.
Remember!When you set the snare on the media to ensure that the loop is executed under the snare top microphone placement. Engineers say once again that they listen more to the upper end of the snare drum from this type of positioning.
* BASS DRUM TUNING .*
The best way I can describe the bass drum line is that I want to be a certain attitude. I try, I can also have the flexibility I have in my general mood and I paid all my options. When I say, the general mood, which Imine is that I have the sound of the big drum, if you have hard or soft like.
Above all, I'd say do not show up at a meeting without his head forward and a beautiful head that resonates. Should be controllable though.
What I mean is that, should not be opened without damping. Cutting the opening in front of the head done several things. The engineer may, within the scope drum micing. You can adjust the cushioninginside of the drum head on the front and back. And you're able to adjust the damping of the front head.
The front head has a crucial role in today's big drum sound and creates the lower octave and the decay of the drum necessary. But it must be constantly adjusted depending on the room or the noise situation.
Thus:
* NOT presented to a meeting without a well-coordinated BASS DRUM HEAD ON YOUR FACE! BUT ... Does not appear, a session with a closed front HEADNo! *
In relation to the bass drum mute:
Add a little padding, I can adjust. I have a bag of sand resting on the bottom of the drum, to be where I will be there. Can I cease to have effect on the swing or less depending on what the producer wants. Sometimes we take it properly and let the drum ring. The idea is that you want the flexibility in this area. If you do not want a large bed pillow in your chest but you want to change the way in which the decay and tone, ifnecessary.
I can also relax the first two tabs at the top side of the racket bass drum, if you want more bang or slap or less, and the tone of the drum.
